#BEST REAMP SOFTWARE 2018 FULL#

So the highest possibly audio quality you can archieve at the moment is like this: Put your guitar directly into the KPA. The best method for this is trying to avoid unnecessary AD, DA and impedance conversions, which automatically happens when using anlog ins or outs on the KPA. Please check my thread where i compared the DI Signals.Įspecially when you aim for reamping you should keep the signal chain as clean as you possibly can. Splitters always reduce the signal quality a little bit, which might not be abvious at first sight but when you record at low levels and put some serius compression or amplification to the dry signal, you will deifnitely hear this.

Though the Lehle Splitters are very good i would definitly remove it from the signal chain, at least when recording and reamping. Has anyone a better idea- should i try spdif ? Display More Im not familiar with spdif -the only thing i have to change for reamping is to remove 2 cables in front the m-audio ? If i wanna reamp i mute the recorded stereo out tracks- send the recorded direct out to output 3 on m-audio and go to the input of the kpa- for me it seems to work. Guitar to lehle p-split - 1 signal to kpa and 1 directly to m-audio firewire 1814 (for using guitar rig 5 - sorry guys -but sometimes its great for me - especially to mix with kpa) the analog outs.ĭuring all of this I will also have the monitor out cabled to a power amp + cab (for now) and later probably an FRFR system. I really wish someone would comment on how the SPDIF I/O is working and sounding vs. That would also cut down on AD/DA conversion in my process above. Still worried about loops though, but as long as I don't send any SPDIF out to the KPA and always only send the dry guitar track via SPDIF to the KPA I should be good. You also mentioned the SPDIF can be muted from within the KPA as well which is cool.ĮDIT: I guess technically I could use SPDIF IN and OUT to/from the KPA as well. I think I should be able to keep this cabling permanently and I don't believe I will have any feedback loops as long as I don't route anything through SPDIF output on the audio interface back into the KPA SPDIF IN until I'm done and happy with my take/DRY guitar track. KPA XLR or 1/4' main outs -> analog inputs on the audio device (record enabled) SPDIF OUT from audio device -> SPDIF IN on the KPA (I will have to set the DRY guitar track to route to SPDIF out which is sent to the KPA for 'amplification' > KPA direct OUT -> 1/4' analog input on audio device (this is for the dry guitar signal)

#BEST REAMP SOFTWARE 2018 FULL#

Guitar -> KPA instrument IN -> KPA XLR or 1/4' main out -> analog inputs on audio device (this is the full patch, for monitoring and/or recording stereo processed tracks) I think I have it figured out for my approach:

Best reamp software 2018